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No is a very good soundtrack overall, and you won't be disappointed. In his score, Barry clearly captures the spirit of Russia through his remarkable talent of instrumental writing.

Although Lionel Bart wrote the theme tune, Barry arranged the music for orchestra. He effortlessly blends this tune into the score, often interweaving it with the 'James Bond theme' for example in 'Opening Titles', 'Bond Meets Tania' and 'Death of Grant'.

There are plenty of atmospheric tracks on the album, including 'Golden Horn', a light track with many strings playing pizzicato; 'Girl Trouble', dramatic music accompanying the famous gypsy girl fight; 'Guitar Lament', a sorowful piece featuring prominently the accoustic guitar; and 'Spectre Island', when an eerie melody played by the harp and piano is introduced.

My personal favourite of the album and I found it difficult to decide because all the tracks are of high quality was 'James Bond with Bongos'.

It was great to hear a different rendition of the infamous James Bond theme, this time with the bongo's percussive influence jazzing the piece up!

In short, I thoroughly recommend this album to anyone; Bond fan or non Bond fan alike! I'm certainly glad I bought it! Just like any other Barry-Bond-soundtrack it is a great CD, but still not one of the best.

The Main Title song Goldfinger is of course a superb one, and you can say nothing bad about that one. Probebly did John Barry understand how good this song was, cause in the soundtrack he works alot with it.

In 5 five songs can we hear instrumental versions of the title song, both in very beatufil music like in "Alpine Drive" and something like action-music in "Dawn Raid on Fort Knox".

The Tom Jones' vocal has real power. A spectacular and haunting score. It really has that 'Bond Sound. The music beautifully complements Bond's mission in Japan, and stands on its own as great music too.

The worst track was "Tanaka's World", which was boring and repetitive. I like all the music on this CD except that track. My main gripe is that they didn't include the music from the Little Nellie helicopter dogfight.

Then I would give this CD more than 5 stars if that were possible. As with all of the early Bond soudtracks, the cds are reprints of the original recordings which, because of the limitations of LPs, could only include so much music.

Some of these "missing" tracks have appeared in later recordings such as Nic Raine's "Bond Back in Action," but true Bond and Barry fans still yearn for the original recordings or Barry conducted updates.

Barry broke with tradition with "OHMSS" by using an instumental for the title lyrics were written but never used making this a unique score.

And that main theme remains definitive Still, the score in the film is first rate, and this soudtrack recording will do quite nicely.

It was Connery's last appearance as James Bond with the Broccoli-Saltzman production company, and that was the bad news.

Bassey demonstrated her versatility in this fine performance. The title's main theme provided the musical framework for much of the instrumental score, but two other themes also emerged, a campy and sinister theme for Mr.

Wint and Mr. Clearly, the key to the success of this score is the main theme from the title song. A major part of the music flows from a variety of interpretations of that theme including a subtle and interesting combination with the Norman-Barry James Bond Theme in "Bond Meets Bambi and Thumper.

Kidd" and "Blofeld's Laser" , but the music contained in them is pretty well represented on the soundtrack.

While the score seems a bit less dynamic than earlier Barry entries to the Bond cycle, the title song and theme are important and delightful additions.

Martin simply came with the deal. The title remains one of the most dramatic and best songs of the series, and was especially striking with Maurice Binder's amazing opening and end titles.

George Martin's score included a foundation based on the James Bond theme and the title song, but he also introduced a fine theme for Solitaire, and interesting island music for "Baron Samedi's Dance of Death" and "Sacrifice.

This is a very good CD. John Barry finally put an album together based mostly on the background score. The main theme is quite a catchy tune and is very recognizable to anyone who has seen the film.

It's a Bond film with a comic slant that has all the elements of any good Bond film. Somehow the film looks like a very minor entry compared to the rest of the series.

Yet that very fact gives it a unique and curious appeal. It is actually a very likable and entertaining film. One of the film's strengths is John Barry's score, which gives Bond a whole new slant.

If you like the film you should like this CD because it covers most of the film's sequences from start to finish.

This CD covers the creative music from Scaramanga's fun house, embodies several passages of the James Bond Theme and contains a great oriental flavor throughout.

Highly recommended. Marvin Hamlisch came in to bring a fresh new sound to the World of James Bond and he certainly did!

The score for the film may sound dated by today's standards since it features many of those familiar 70's sounds and instruments. However, the score still holds up to be one of the best non-Barry James Bond music compositions.

Goldfinger defines the Bond sound of the s. My only complaint on this score is some of the music has been altered or changed from the film version to this CD version.

For example, Bond 77 in the movie is a lot more enjoyable than on this score. And where on earth is the rest of that great music from when Bond and Anya are at the pyramids?

Hopefully EMI will release a special version of the score with the original music. There are many beautiful melodies on this CD, with John Barry's usual excellent use of harmony.

Clearly, the expansiveness of space has been captured in the music and there is an inspired use of choirs in some of the tracks, which contributes to the ethereal quality of the score.

I personally think the title song is very good, with a haunting and evocative melody. Shirley Bassey does the tune justice, for her third and, so far, final Bond theme tune.

The title song also has a highly enjoyable 'funked up' 70's era arrangement at the end of the CD, reflecting the Disco in which the score was written.

The only drawback of this CD was the the complete lack of the James Bond theme in the score, something as a James Bond score collector I always look out for!

But since the LP release already contained the best of the music from the movie, do not expect any real treasures in the added material.

The 'bonus tracks' are excellent for providing a complete soundtrack, though they are mostly compilations of brief or slower pieces of incidental music.

Several interesting items about this album: A typo in the labeling of this CD release lists two track 3's and no track 5.

The original LP release also was victim of a typo. The track described as "Gonzales Takes A Drive" was supposed to have been "Gonzales Takes A Dive" - a play on words since Gonzales is killed by Melina's arrow as he is diving into the pool.

That typo has perpetuated in the back cover labeling of this CD release, but is corrected in the inside notes. And finally, the track labeled "Melina's Revenge" is really two pieces from the film.

Only the first 35 seconds of the track contain the dramatic queue from the emotional closeup of Melina just after her parents are killed.

The remainder of the track is the excellent action piece from the pre-credits helicopter sequence, which likely would have been separately titled "Have a Pleasant Fright.

I must begin saying that I have the original soundtrack, so i have never hurd songs nr. Real good. In those two soundtracks you have many dark and mystery tunes, which work splendide.

In this album you also have a very good action-theme, which you hear for the first time on Track nr. Good soft songs are Track nr.

In Track nr. The three best songs: Track nr. A traditional Barry score! Album Details Original soundtrack to the James Bond box office smash.

There are some really exciting tracks. I can definitely see the effort that John Barry put into this soundtrack. They have all the same music on them but set up in different ways.

The rest of the tracks are good and help keep this soundtrack together. All in all this is a great soundtrack, well worth the money you have to pay to get it.

Though the film marked the 25th anniversary of Bond's cinematic prowess, listeners can detect Barry's slumping enthusiasm for the '80s incarnation.

The assortment of recording artists accompanying Barry, such as a-ha and the Pretenders, may date the release, but the '80s synth pop sounds a bit refreshing in the face of today's heavier beats.

Barry himself even uses several synthesized rhythm tracks. This disc includes almost a half hour of previously unreleased tracks of incidental music from the film, including a typically exciting Bond pre-credits teaser theme.

The Laser Beam — Thunderball — Main Title — Chateau Flight — The Spa — Switching The Body — The Bomb — Cafe Mrtinique — Thunderball — Death Of Fiona — Bond Below Disco Volante — Search For Vulcan — Kiss Kiss Bang Bang — Street Chase — Kiss Kiss Band Bang [Mono] — Disc 1: Main Titles — The Black Rose — Grouse Shoot — Gymnasium Training — Buckingham Club — The Look Of Love — Proposals, Super 8 And Costumes — Arrival In Berlin — Escape From The Berlin House — Bond Arrival In France — Vesper In The Shower — Hi There Miss Goodthighs — Torture Sequence — Sister McTarry — The LSD Room — Disc 2: Casino Royale Theme Main Title — Money Penny Goes For Broke — The Look Of Love Instrumenthal — Little French Boy — The Venerable Sir James Bond — Capsule In Space — Fight At Kobe Dock — Helga — A Drop In The Ocean — The Death Of Aki — Mountains And Sunsets — The Wedding — James Bond — Astronaut?

Countdown For Blofeld — Bond Averts World War Tree — James Bond In Japan — Aki, Tiger And Osato — Little Nellie — Soviet Capsule — Spectre And Village — James Bond — Ninja — Try — Ski Chase — Over And Out — Battle At Piz Gloria — Bond And Draco — Bond Settles In — Bond Meets The Girls — Dusk At Piz Gloria — Escape From Piz Gloria — Bobsled Chase — Diamonds Are Forever Main Title — Bond Meets Bambi And Thumper — Moon Buggy Ride — Circus, Circus — Death At the Whyte House — Diamonds Are Forever Source Instrumental — Bond Smells A Rat — Tiffany Case — To Hell With Blofeld — Gunbarrel And Manhunt — Wint And Mr.

Peter Franks — Slumber, Inc. The Whyte House — Plenty, Then Tiffany — Following The Diamonds — Additional And Alternate Cues — Bond Meets Solitaire — Whisper Who Dares — Snakes Alive — San Monique — Bond Drops In — Trespassers Will Be Eaten — Solitaire Gets Her Cards — Sacrifice — Bond To New York — San Monique Alternate — Bond And Rosie — The Lovers — New Orleans — Boat Chase — Underground Lair — Chew Me In Grisly Land — Getting The Bullet — Goodnight Goodnight — Kung Fu Fight — Nobody Does It Better — Bond 77 — Ride To Atlantis — Mojave Club — Nobody Does It Better Instrumental — Anya — The Tanker — The Pyramids — Eastern Lights — Conclusion — Main Title — Moonraker — Space Lazer Battle — Miss Goodhead Meets Bond — Cable Car And Snake Fight — Bond Lured To Pyramid — Flight Into Space — Centrifuge And Corinne Put Down — End Title — Moonraker — For Your Eyes Only — A Drive In The Country — Take Me Home — Gonzales Takes A Dive — Make It Last All Night — Runaway — Submarine — Cortina — The P.

Georges — Ski… Shoot… Jump — Sub Vs. Sub — Bond Back In Action — Prologue — Enter — Dinner With — Bahama Island — Plunder Of A Nuclear Missile — Bond And Domino — Nuclear Nightmare — Tango To The Death — Bond Returns Home — Felix And James Exit — Jealousy — Bond To The Rescue — The Big Escape — Tears Of Allah — The Underwater Cave — Fight To The Death — All Time High — Bond Look Alike — Bond At The Monsoon Palace — Bond Meets Octopussy — The Chase Bomb Theme — The Palace Fight — Snow Job — May Day Jumps — Bond Meets Stacey — Tibbett Gets Washed Out — Airship To Silicon Valley — Bond Underwater — Wine With Stacey — Bond Escapes Roller — Destroy Silicon Valley — May Day Bombs Out — Golden Gate Fight — The Living Daylights — Necros Attacks — The Sniper Was A Woman — Ice Chase — Kara Meets Bond — Koskov Escapes — Where Has Every Body Gone — Into Vienna — Hercules Takes Off — Mujahadin And Opium — Inflight Fight — If There Was A Man — Exercises At Gibraltar — Approaching Kara — Murder At The Fair — Airbase Jailbreak — Afghanistan Plan — Air Bond — Final Confrontation — Alternate End Titles — Licence To Kill — Wedding Party —

If you have Poker Spiel had a properly made Vesper Overwatch Us you are missing out on a fantastic drink. Battle At Piz Gloria — Mojave Club 5. Hovercraft Chase — The Quali Innsbruck described as "Gonzales Takes A Drive" was supposed to have been "Gonzales Takes A Dive" - Bitcoins Umrechner play on words since Gonzales is killed by Melina's arrow as he is diving into the pool. Goodnight Goodnight —

James Bond willingly falls into an assassination plot involving a naive Russian beauty in order to retrieve a Soviet encryption device that was stolen by S.

While investigating a gold magnate's smuggling, James Bond uncovers a plot to contaminate the Fort Knox gold reserve. James Bond heads to the Bahamas to recover two nuclear warheads stolen by S.

Agent Emilio Largo in an international extortion scheme. Secret Agent James Bond and the Japanese Secret Service must find and stop the true culprit of a series of space hijackings, before war is provoked between Russia and the United States.

James Bond woos a mob boss' daughter and goes undercover to uncover the true reason for Ernst Stavro Blofeld's allergy research in the Swiss Alps involving beautiful women from around the world.

Director: Peter R. A diamond smuggling investigation leads James Bond to Las Vegas, where he uncovers an evil plot involving a rich business tycoon.

John , Charles Gray , Lana Wood. James Bond is sent to stop a diabolically brilliant heroin magnate armed with a complex organisation and a reliable psychic tarot card reader.

James Bond is targeted by the world's most expensive assassin, while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder.

James Bond investigates the hijacking of British and Russian submarines carrying nuclear warheads, with the help of a K. Agent, whose lover he killed.

James Bond investigates the mid-air theft of a space shuttle, and discovers a plot to commit global genocide. James Bond is assigned to find a missing British vessel, equipped with a weapons encryption device and prevent it from falling into enemy hands.

Bond And Draco — Bond Settles In — Bond Meets The Girls — Dusk At Piz Gloria — Escape From Piz Gloria — Bobsled Chase — Diamonds Are Forever Main Title — Bond Meets Bambi And Thumper — Moon Buggy Ride — Circus, Circus — Death At the Whyte House — Diamonds Are Forever Source Instrumental — Bond Smells A Rat — Tiffany Case — To Hell With Blofeld — Gunbarrel And Manhunt — Wint And Mr.

Peter Franks — Slumber, Inc. The Whyte House — Plenty, Then Tiffany — Following The Diamonds — Additional And Alternate Cues — Bond Meets Solitaire — Whisper Who Dares — Snakes Alive — San Monique — Bond Drops In — Trespassers Will Be Eaten — Solitaire Gets Her Cards — Sacrifice — Bond To New York — San Monique Alternate — Bond And Rosie — The Lovers — New Orleans — Boat Chase — Underground Lair — Chew Me In Grisly Land — Getting The Bullet — Goodnight Goodnight — Kung Fu Fight — Nobody Does It Better — Bond 77 — Ride To Atlantis — Mojave Club — Nobody Does It Better Instrumental — Anya — The Tanker — The Pyramids — Eastern Lights — Conclusion — Main Title — Moonraker — Space Lazer Battle — Miss Goodhead Meets Bond — Cable Car And Snake Fight — Bond Lured To Pyramid — Flight Into Space — Centrifuge And Corinne Put Down — End Title — Moonraker — For Your Eyes Only — A Drive In The Country — Take Me Home — Gonzales Takes A Dive — Make It Last All Night — Runaway — Submarine — Cortina — The P.

Georges — Ski… Shoot… Jump — Sub Vs. Sub — Bond Back In Action — Prologue — Enter — Dinner With — Bahama Island — Plunder Of A Nuclear Missile — Bond And Domino — Nuclear Nightmare — Tango To The Death — Bond Returns Home — Felix And James Exit — Jealousy — Bond To The Rescue — The Big Escape — Tears Of Allah — The Underwater Cave — Fight To The Death — All Time High — Bond Look Alike — Bond At The Monsoon Palace — Bond Meets Octopussy — The Chase Bomb Theme — The Palace Fight — Snow Job — May Day Jumps — Bond Meets Stacey — Tibbett Gets Washed Out — Airship To Silicon Valley — Bond Underwater — Wine With Stacey — Bond Escapes Roller — Destroy Silicon Valley — May Day Bombs Out — Golden Gate Fight — The Living Daylights — Necros Attacks — The Sniper Was A Woman — Ice Chase — Kara Meets Bond — Koskov Escapes — Where Has Every Body Gone — Into Vienna — Hercules Takes Off — Mujahadin And Opium — Inflight Fight — If There Was A Man — Exercises At Gibraltar — Approaching Kara — Murder At The Fair — Airbase Jailbreak — After Champagne, the Vodka Martini is the drink most often consumed by Bond over 20 times.

In the books, it is outnumbered by the Scotch and Soda. Does James Bond ever drink Gin Martinis? The answer is that in the movies to date he does not.

In Fleming's novels, Bond has a total of 19 Gin Martinis. So, yes, Bond did enjoy a Gin Martini or two, it just seems that vodka is a little sexier for the big screen.

There are also many instances in both mediums in which the drink is certainly a Martini , but it is unclear whether vodka or gin is used.

James Bond's desire for a Scotch and Soda was lost in the production of the movies, but it is the mixed drink he has most often in the books a total of 21 times.

Of course, a good Englishman will gravitate towards Scotch, but he also had his share of Whiskey and Soda most likely it was often with American bourbon and even more Brandy and Soda or ginger ale.

Simple and effective, these are quick drinks that are perfect for a spy on the go. While this quick mix was a favorite of Bond, he is also seen numerous times just a few less than Champagne in total drinks drinking straight bourbon and Scotch in that order.

If Bond was that fond of Scotch and Soda, it's only natural that on occasion he went for the white spirits. It's believed that the occurrence of one or the other reflected Ian Fleming's preferences at the time of writing each novel.

In this instance, Bond also adds one of my favorite "secret ingredients" for either of the tonics, Angostura Bitters. The Americano is significant in the adventures of because it is the introduction to his refined drinking style.

This is the first drink mentioned in, but it wasn't until From a View to Kill that we learn when Bond feels that the Americano is a more appropriate drink.

According to the story, a drink like this is better suited for dining at an outdoor cafe in this case French. We also learn of his preference for "Perrier, for in his opinion, expensive soda water was the cheapest way to improve a poor drink.

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